“I am retribution!” is the battle cry of Vera the golem in Aden Polydoros’s brilliant new young adult novel Wrath Becomes Her, which comes out tomorrow, October 10. I’ve been impressed with Polydoros’s ability to seamlessly blend Jewish culture and folklore with the Gothic ever since reading his debut, The City Beautiful, a couple of years ago. But he takes this to a whole new level in Wrath Becomes Her, creating the kind of book I really wish I could have read as a teen. Continue reading Review of Wrath Becomes Her—Gothic Golems
Review of The Widow of Rose House—Romance and Haunted Homes
Victorian romance and haunted houses—I’m always on the lookout for books that combine two of my favorite things like this, and have just found one that does so extraordinarily well! The Widow of Rose House by Diana Biller is a delightful Gothic romance that came out back in 2019. It fit so perfectly in my wheelhouse, that I will definitely be keeping an eye out for more books by this author in the future. Continue reading Review of The Widow of Rose House—Romance and Haunted Homes
Review of Never Whistle at Night—Indiginous Horror
From “wendigos” to “Indian burial grounds,” the folklore and tragic history of North America’s indigenous populations has frequently been mined for inspiration and twisted to suit the purposes of horror authors writing outside of their own cultures. In recent years, however, we’ve seen a real rise in the number of indigenous voices within the horror scene telling their own stories. A new collection of short horror stories celebrates this surge of Native American writers: Never Whistle at Night: An Indigenous Dark Fiction Anthology, edited by Shane Hawk and Theodore C. Van Alst Jr. This anthology, which contains twenty-six stories plus a foreword by Stephen Graham Jones, came out just last week, in plenty of time for spooky season. Continue reading Review of Never Whistle at Night—Indiginous Horror
Gothic Tropes: The Cursed Wanderer
“I pass, like night, from land to land…” I mentioned the cursed wanderer in my recent post on Nautical Gothic, so I wanted to examine the concept here in a bit more detail. This is a character archetype that finds its way into many Gothic works both new and classic, either in the form of a villain, a tragic side character, or an antihero. The cursed wanderer is an outcast from society, usually immortal or otherwise supernatural, and never establishes roots but rather is compelled to wander from place to place as the consequence for some past sin. Continue reading Gothic Tropes: The Cursed Wanderer
Review of The Last Heir to Blackwood Library
When Ivy Radcliffe suddenly inherits a country estate with a grand and ancient library from an unknown relative, it seems like a dream come true. But that dream slowly turns into a nightmare as the library’s dark secrets come to light. This is the premise of Hester Fox’s Gothic fantasy novel The Last Heir to Blackwood Library, which came out back in April. Continue reading Review of The Last Heir to Blackwood Library
Review of Silver Nitrate—Cursed Films
Don’t play with magic you don’t understand. You’d think this would be common sense by now, but there’s always some skeptic willing to treat mystic rituals like a game—to their own detriment. Montserrat and Tristán learn this lesson the hard way in Silvia Moreno-Garcia’s latest horror novel Silver Nitrate, which came out last month. Continue reading Review of Silver Nitrate—Cursed Films
Nautical Gothic
What could be more frightening than the crumbling spires of an ancient castle or the echoing halls of a cursed family’s ancestral home? How about the alien landscape of the open sea! With its unknowable depths and mercurial moods, the ocean is rife with mystery and danger. And out in the middle of the ocean, one can experience an isolation far more profound than even the most remote cliffside abbey. In many ways, the ocean is the perfect Gothic landscape. On any given voyage, a sailor might have to battle against the weather and natural environment, against monsters, against the restless dead, against the depravity and superstitious nature of his fellow man, or even against the phantasms of his own mind. Here are just a few examples of Gothic works that take place, in whole or in part, at sea:
Review of The Sleepless—A Debut Sci-Fi Thriller
What would you do if you had twenty-four waking hours per day? As tempting as that prospect sounds, journalist Jamie Vega learns that these extra hours aren’t necessarily all they’re cracked up to be in Victor Manibo’s debut, The Sleepless, a sci-fi thriller which came out last year. Continue reading Review of The Sleepless—A Debut Sci-Fi Thriller
Humorous Ghost Stories
Not every ghost story has to be terrifying! Indeed, horror and humor are surprisingly similar modes of writing—both depend on eliciting certain emotional reactions from the reader through carefully timed revelations and unexpected juxtapositions. Horror can all too easily give way into unintentional humor, as any connoisseur of schlocky B-movies can tell you. But that blurred line can also be courted intentionally. All throughout the Golden Age of the ghost story—from the mid-nineteenth century through the early twentieth—writers poked fun at the popular genre with silly and satirical takes on the ghost story. Here are just a few of my favorite examples of spectral tales more likely to make you split your sides with laughter than scream in fright:
Review of A House with Good Bones—Bugs, Blooms, and Boogeymen
Old houses always have buried secrets. An archeological entomologist is perhaps extra qualified to dig those up—and she’ll need to if she wants to get to the bottom of her mom’s strange behavior in A House with Good Bones, a delightful Southern Gothic by T. Kingfisher which came out back in March. In a fun coincidence, the audiobook for this one is narrated by Mary Robinette Kowal, author of the book I reviewed last week, The Spare Man. Continue reading Review of A House with Good Bones—Bugs, Blooms, and Boogeymen