I love new adaptations of classic works of Gothic literature, especially those that bring the stories into a new medium. Mr. Valdemar and Other Gothic Tales does exactly that by adapting short horror stories into webcomic form. The title of this webcomic series takes its name from an Edgar Allan Poe story, “The Facts in the Case of M. Valdemar,” and will feature stories by Poe, Ambrose Bierce, Jack London, W. W. Jacobs, and many more. The project aims to adapt as many classic short stories as possible, posting one new page per week. The scripts are written by Jose Luis Bueno Piña, and each story has a different artist. These days, many webcomic creators are moving to a subscription-based model, and Mr. Valdemar and Other Gothic Tales is no different. The only way to get full access to these stories is to support the project on Patreon. Continue reading Subscription-Based Web Comic: Mr. Valdemar and Other Gothic Tales
I spend a lot of time thinking about how much I love cats. They’re cute, cuddly, clever, and just a little bit demonic. Sadly, I don’t own an adorable fluff-ball myself, so I must find other venues for my cat appreciation. This generally involves visiting friends who own cats, looking at cats on social media, and of course, reading books that feature cats. Fortunately, cats—long associated with magic, mystery, and devilry—often feature prominently in gothic literature. Less fortunately, they also have a tendency to die in these stories… But cats are not creatures to be trifled with, and they are particularly adept at exacting revenge. Below are some of my favorite tales starring dead and/or vengeful cats:
- “The Black Cat” by Edgar Allan Poe (1843)
Edgar Allan Poe was also quite the cat fan, although you might not know it from how they are treated in his fiction. One of Poe’s most popular short stories is “The Black Cat.” Told from the perspective of a murderer, the story features a black cat named Pluto (appropriately associated with the Roman god of the underworld) who serves first as the narrator’s victim and then ultimately as the cause of his demise. The narrator is initially very close with his pet, but as he descends into alcoholism he becomes violent toward all those he used to love. He maims and ultimately kills Pluto, though he is plagued by guilt throughout. Immediately after hanging his beloved pet from a tree, the narrator’s house catches on fire. But this is only the beginning of the cat’s revenge. He soon comes across a second cat that looks exactly like his dead friend, except for the white noose-like markings around its neck. After one of the narrator’s rages ends with him killing his wife and walling her up in the cellar, it is this cat that alerts the police to the location of the woman’s body and prevents its master from getting away with murder.
- “The Squaw” by Bram Stoker (1914)
Stoker’s name is generally associated only with his groundbreaking vampire novel, Dracula, but he actually wrote a number of other novels and short stories, as well. Several of his short stories were published posthumously in a collection titled Dracula’s Guest and other Weird Stories. Among these is a particularly disturbing tale, “The Squaw.” I first encountered this story as part of an audiobook collection called Classic Tales of Horror. Generally undisturbed by violence and gore, I nonetheless found myself quite distressed at the description of the senseless killing of a kitten in the opening pages of this story. The tale begins with a honeymooning couple who encounter a brash American while sightseeing in Germany. The American has the brilliant idea to toss pebbles from a great height in order to startle a mother cat and her kitten below. Of course, he ends up accidentally killing the kitten and setting the mother cat on the warpath. She stalks the group throughout the rest of the story as they continue their sight-seeing, until their visit to a medieval torture chamber provides the perfect opportunity for revenge… “The Squaw” is definitely an underrated story, although the American’s speech and his garbled story about an encounter with a Native American woman make it somewhat difficult to follow at times. But I promise you’ll be in for an emotional roller coaster as you mourn the death of the kitten and cheer on its murderous mother.
- “The Cats of Ulthar” by H.P. Lovecraft (1920)
Usually when the words “H.P. Lovecraft” and “cat” are mentioned in the same sentence, it’s in reference to the man’s blatant racism. But Lovecraft’s own poorly-named pet aside, one of my favorite Lovecraft stories features a whole town full of vengeful felines. Set in a town called Ulthar, the story opens by describing a strange old couple who seem to delight in capturing and killing the neighborhood cats. One day, however, the couple crosses the wrong gypsy orphan boy when they take his beloved black kitten. The boy prays to his gods, and that night all of the remaining cats in the village gather to exact a chilling revenge on the sadistic couple. After that night, the town enacts a law stating that no man may kill a cat…for his own safety.
- Pet Sematary by Stephen King (1983)
Here, Stephen King steers us slightly away from the direct revenge narrative. However, Church, the family pet featured prominently in this horror novel, shares many characteristics with the above-mentioned creepy cats. The story begins with the family of Louis Creed moving to a new town and trying to settle into their new lives. They meet a friendly neighbor named Jud who shows them the spot in the woods labeled “Pet Sematary” not far from their house where many of the townspeople bury their pets. One day, Church gets run over and instead of burying him in the “Pet Sematary,” Jud takes Louis to an ancient burial ground where all those who are buried rise again. When the cat comes back to life, however, he is not quite the same. Violent, though not necessarily vengeful, the reanimated cat serves as an ominous foreshadowing of what will happen when Louis tries to raise his toddler son from the dead in the same manner.
I also wanted to make a special mention of a cat owned by the father of the Gothic novel himself, Horace Walpole. Walpole owned a cat named Selima whose death was memorialized by the eighteenth-century graveyard poet Thomas Gray in a somewhat mocking elegy titled “Ode on the Death of a Favorite Cat, Drowned in a Tub of Goldfishes.” (Check it out, it’s a great poem.) Somewhat morbidly, Walpole had the first stanza of his friend’s poem engraved on the tub in which his cat drowned, which he then prominently displayed in his trend-setting gothic home.
Have you read any of these tales? Got any other creepy cat stories to recommend? Share your thoughts in the comments! And, of course, feel free to post pictures of your feline friends!
Is Sherlock goth???
I talk a lot about how modern horror fiction and paranormal romance have descended from the classic Gothic novel. Well, detective stories are yet another example of a popular genre that rose up from this immensely fecund area of fiction. Many of the earliest detective stories were written by authors of Gothic fiction, or otherwise incorporated Gothic elements. In fact, detective fiction is a relatively young genre, and its origin is generally accredited to one of the greatest gothy patriarchs of all—Edgar Allan Poe. Continue reading Is Sherlock Goth???—Detective Fiction and the Gothic
Who says love poems need to be all rainbows and sunshine? Sometimes death and decay can be just as romantic. If you’re tired of sappy hallmark cards and sickly sweet phrases written on candy, consider sharing some of these creepy classics with your loved ones.
This is one of my favorite gothic tropes. Often used in horror or mystery, an unreliable narrator is a first-person narrator of a story whose words the reader is not meant to take at face value. The narrator may be deliberately lying or their words may be influenced by unconscious bias or delusions. In the case of gothic fiction, it is most often this last reason that causes many narrators to be considered unreliable. Continue reading Gothic Tropes: The Unreliable Narrator
One of the many stereotypes of the gothic subculture involves reading poetry and brooding in a corner. While the brooding isn’t entirely necessary, poetry is a great way to indulge in your daily dose of darkness. Here are just a few of my absolute favorite gothic poems:
1) “Annabel Lee” by Edgar Allan Poe
The works of Edgar Allan Poe were some of my first gateways into the realm of gothic literature. Poe is regarded as a leading patriarch in the American gothic tradition. He helped to popularize the genres of both horror and mystery with his numerous short stories. But for me, the true gothic beauty of Poe resides chiefly in his poetry. Now, I’m sure you’re all familiar with “The Raven,” so I figured I’d introduce you to one of my other favorite poems of his. “Annabel Lee” is a hauntingly beautiful poem about two of Poe’s favorite things: a beautiful woman and death. In fact, many of Poe’s poems and stories involve the death of a beautiful woman, perhaps influenced by the early death of his young wife, Virginia. “Annabel Lee” tells the story of a man and woman who were so in love that the angels in heaven grew jealous and took the woman away. The poem has an ethereal cadence that works beautifully put to music, as in this electro dance cover by one of my favorite musicians, Psyche Corporation:
You can also read it for yourself here.