So I’ve written before about the vampire literary canon, which granted has a bit more solid of a literary tradition. But with the rising popularity of zombies in TV shows like The Walking Dead and iZombie, as well as in the mildly uncomfortable new zombie subgenre of paranormal romance books, I figured that an examination of the literary history of these brain-eating undead was in order. While more popular with visual media like movies, video games and TV, zombies still have a strong literary presence, especially in recent decades. Below are some works that I consider to be part of the zombie literary canon.
Tag: Max Brooks
World War Z–An Epic Zombie Tale
Zombies. In some ways they are my least favorite among the multitude of supernatural creatures—they don’t tend to have terribly interesting personalities, and the new trend of zombie romance is just far more disturbing than the classic vampire love stories. Nonetheless, zombies can be very interesting in what they represent. While vampires embody our complicated yearning for immortality and power, zombies represent our fear of death at a downright primitive level—the finality of death and decay, the simple meaninglessness of it, the shift from human to inhuman, and the loss of the self. Meanwhile the survivors of zombie pandemics fight for meaning, and humanity, and for living one more day. My latest read captures this struggle on an epic global scale: World War Z by Max Brooks. Continue reading World War Z–An Epic Zombie Tale