Gothic Tropes: Corrupted Clergy

“Forgive me, Father, for I have sinned”—But what if the one who is supposed to absolve you is even more guilty? This is an idea explored in quite some depth and from a variety of angles throughout Gothic literature. The Gothic has had a very complicated relationship with religion, and Christianity in particular, from its earliest days. Sincere religious belief is often a virtue of the best Gothic heroes and heroines. But some of the genre’s most debased villains are those who wear the cloth of the Church. Early Gothic novels were highly critical of the horrors committed in the name of religion during the Spanish Inquisition, and these works also reflect Protestant and Anglican fears around Catholicism. But even the most obvious anti-Catholic caricatures were often a bit more nuanced, as many authors relied on the acceptable depiction of evil Catholic clergy to more subtly critique the overreach of religious authorities within their own communities. And no sect is safe! You’ll find dangers in any denomination in later works of Gothic literature. Let’s take a look at how corrupted clergymen (and a few women!) have crept through these novels.

Screen-shot of Frollo from Disney's Hunchback

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Plagues and Pandemics in Horror

The spread of COVID-19 is taking over our lives right now. And while I know for some of you, death and disease are the last things you want to read about right now, for many others literature is a place where we can process and confront our anxieties. This has been true throughout history. The Gothic, in particular, has always had a fascination with contagious illness. You can’t build an entire genre around nostalgia for the Middle Ages without grappling with the Black Death—a devastating plague that swept through Europe in the 1300s, killing millions. As Gothic literature developed, many authors—particularly in the Victorian era—had their own lives touched by such infectious diseases as tuberculosis, cholera, scarlet fever, and typhoid. The pandemics of the past and the present force us to confront our mortality and fears around infection and contagion. Some authors explore this through the invention of fictional plagues, while others use myth and monsters as metaphor for transmitting disease. Below are a few major works from Gothic and horror literature’s rich tradition of plagues and pandemics: Continue reading Plagues and Pandemics in Horror

Gothic Tropes: The Mad Scientist

A lab coat, wild hair, thick glasses, and a savage glint in their eye as they watch their ill-considered experiment come to fruition—the mad scientist is a particularly recognizable trope in media and pop culture today. Mad scientists are mainly associated with science fiction and are also popular as stock villains in superhero comics, but what many don’t know is that this character trope has its roots in the Gothic. In fact, the villainization of science makes sense when you consider that the Gothic genre emerged as a reaction against the Enlightenment. While proponents of rationalism encouraged the pursuit of pure reason, many authors of the Gothic feared what such intellectualism might become when divorced from ethics and emotion. The character of the mad scientist is the embodiment of such anxieties, as we can see in several prominent works of Gothic literature.

Black and white film Frankenstein scene
Frankenstein brings his creature to life in the 1931 film adaptation

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Gothic Tropes: The Naif

Every evil plot needs an innocent victim.… The naïf is one of the core stock characters in Gothic literature. From the same French root as “naive,” the naïf is someone who exemplifies innocence and has not yet been corrupted or made cynical by their encounters with the outside world. This character serves as a foil to innate evil and is usually the main victim of the story’s monster or villain. In Gothic fiction, the naïf is generally a young woman, sometimes an adolescent, who has lived a sheltered life and is suddenly thrust into an unfamiliar and dangerous environment. Because of her lack of experience, the naïf tends to underestimate evil and often trusts the wrong people. The more passive incarnations of this character resemble the stereotypical “damsel in distress,” and need to be rescued by a gallant hero. But sometimes when the naïf loses her innocence, she gains experience and agency. Continue reading Gothic Tropes: The Naif

The Horrors of Hypnotism

What could be more terrifying than the idea of losing control over your own thoughts and actions? For the Victorians, not much. And with the growing popularity of a technique called mesmerism, it seemed like an increasingly likely possibility that you might encounter someone with the power to take over your mind. I’ve written before, in my review of the anthology Death by Suggesstion, about how hypnotism was a serious source of horror throughout the nineteenth and early twentieth centuries. Today I want to discuss how those fears played out in classic works of Gothic literature.

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Gothic Tropes: The First Wife

No one likes being the second choice. This holds especially true for newly married Gothic heroines. You may think you’re marrying the man of your dreams, but if he’s been married once before that’s almost always a sign of trouble. Whether the first wife is dead or simply hidden away, she often manages to cast a shadow over her husband’s new lover and interfere with their relationship. The haunting figure of the first wife is one of my favorite Gothic character tropes! Continue reading Gothic Tropes: The First Wife

Harry Potter and the Gothic: Plot Tropes

Around this time last year, in honor of Harry’s birthday, I wrote a blog post on “Gothic Elements in Harry Potter.” Earlier this month, I expanded on that post to do a full panel about “Gothic Influences on Harry Potter” for a convention called MISTI-Con. I’ve found working on this topic to be so much fun that I wanted to share with you a bit more of what I’ve learned. This post may even become part of a series as I continue to explore the connections between my favorite genre and the books that kicked off my early love for literature.

Last time, I touched on some of the Gothic settings, themes, and motifs in J.K. Rowling’s books. Now I want to examine in more depth a few specific plot tropes that Harry Potter borrows from the Gothic. Continue reading Harry Potter and the Gothic: Plot Tropes

Gothic Tropes: Burning Houses

In Gothic literature, the setting of the story functions almost like a character itself. These castles, estates, and manor houses are given names, along with their own history, personality, and secrets. And as with living characters, sometimes the novel needs to end with their death. In one common trope, house fires are employed as a means of destroying the central setting at the end of the novel, often with symbolic significance. Continue reading Gothic Tropes: Burning Houses

Gothic Tropes: Prophecies and Curses

I often say that the core concept at the heart of the Gothic is the idea of the past haunting the present. One common way that this manifests in stories is through an old prophecy or curse. Prophecies serve to explain how the story’s current action is rooted in some event of the past. In many cases, the prophecy addresses a past wrong and how it might be revenged or righted. Generally, some injustice was committed by a member of a previous generation, and now the perpetrator’s descendants suffer the consequences, recalling the biblical notion that “the sins of the father shall be visited upon the children.” The prophecy can come from a divine source, or can be intentionally inflicted as a curse by a character associated with witchcraft. Prophecies may or may not be paired with other supernatural elements, such as literal hauntings by ghosts, revenants, or doppelgangers. Continue reading Gothic Tropes: Prophecies and Curses

Romance in Gothic Fiction

With Valentine’s Day around the corner, we’ve all got a bit of romance on the mind. And what could be more romantic than an entire genre that was originally called “Gothic Romance”? Of course, the term “romance” has meant different things over the course of the genre’s history, and each iteration of the Gothic utilizes romantic elements in different ways. Let’s take a brief look at the role romance has played in Gothic fiction.

Mr. Rochester and Jane in the film Jane Eyre (2011)

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