Review of Wicked Saints—Holiness and Heresy in a Fantasy World

A battle-hardened blood mage, a girl touched by the gods, and a monster forged by magic each have one goal: to overthrow the king. Delicate alliances, heartbreaking betrayals, and devious machinations fill the pages of Wicked Saints, the first book in Emily A. Duncan’s young adult fantasy series Something Dark and Holy. I picked up a copy of this book back when it first came out in 2019, but only just now got around to reading it—right in time for the trilogy’s conclusion! Book 2, Ruthless Gods came out last year and now the final book, Blessed Monsters, comes out tomorrow, April 6. If you haven’t hopped on this bandwagon yet, you’ll want to dive right in with Wicked Saints and then keep on reading the next two books. Just brace yourself to fall in love with some monsters! Continue reading Review of Wicked Saints—Holiness and Heresy in a Fantasy World

Review of Maplecroft–Lovecraft Meets Lizzie Borden

Maplecroft coverTake the story of Lizzie Borden and cross that with Lovecraft’s “The Shadow over Innsmouth”.… This is essentially the plot of Cherie Priest’s 2014 horror novel Maplecroft. This book has been on my to-read list for years now, and I finally got around to listening to the audiobook. If you love bold women swinging axes, casual queer representation, and eldritch beings emerging from the sea, you’ll want to pick this one up, too! Continue reading Review of Maplecroft–Lovecraft Meets Lizzie Borden

Review of Lost in the Never Woods–A Dark Peter Pan

Lost in the Never Woods coverWhat if Wendy’s brothers never came back from Neverland? Aiden Thomas, celebrated author of Cemetery Boys, is back with a dark and spooky twist on Peter Pan! Lost in the Never Woods is a YA fantasy novel that takes on one of the most iconic characters in children’s literature to explore the themes of trauma and grief. It comes out tomorrow, March 23. Continue reading Review of Lost in the Never Woods–A Dark Peter Pan

Pernicious Plants in Horror Fiction

Man vs. Nature. It’s a conflict at the core of so much of Gothic and horror fiction and takes a myriad of forms. But the most literal iteration of this trope when the story’s protagonists find themselves up against deadly, monstrous plants. From poisonous perfumes to strangling vines to invasions of invasive species, who knows what untold horrors might be hidden in the greenery around you! Below are a few of my favorite examples of people-killing plants throughout horror literature.

Film still from Little Shop of Horrors (1986)

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Early Vampire Poems

I’ve written before about the Vampire Literary Canon—some of the most popular works that cemented the vampire’s place as literature’s favorite monster. But before vampires worked their way into novels (like Bram Stoker’s Dracula), novellas (like J. Sheridan Le Fanu’s Carmilla), or even short stories (like Polidori’s “The Vampyre”), many of the earliest appearances of these creatures in Western literature occurred in poetry. Below are a few of my favorite examples of early vampire poems:

Illustration of Christabel reclining on a bed, looking at Geraldine
Detail of “So halfway from her bed she rose/ And on her elbow did recline/ to look at the Lady Geraldine.” from Christabel, The Blue Fairy Book, edited by Andrew Lang. Illustrations by H. J. Ford and Lancelot Speed. London, Longmans, Green & Co. 1891.

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Review of The Wife in the Attic—A Sapphic Jane Eyre

The Wife in the Attic coverWhat if the governess fell in love with … the wife in the attic? This is essentially the premise of Rose Lerner’s new novel The Wife in the Attic, which was just released as an Audible Original last month. I’ve been devouring audiobooks like candy since the start of the pandemic, so what could be better than a queer reimagining of one of my favorite Gothic novels released exclusively in audio? And as someone who has always been way more sympathetic toward Bertha Mason than Mr. Rochester, The Wife in the Attic was everything I could ask for. Continue reading Review of The Wife in the Attic—A Sapphic Jane Eyre

Gothic Vocab: The Uncanny

This week I want to continue my series on Gothic vocabulary. You may remember back in November, I wrote about another vocab term—the sublime—which was central to the Romantic era’s conception of the Gothic. This time I want to discuss a twentieth-century term that to this day still crops up frequently in any discussion of the Gothic or of horror more broadly: the uncanny.

Photo of child's doll lying on the ground, staring blankly
Photo by Artem Maltsev on Unsplash

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The Gentleman and the Thief Review

A music teacher who moonlights as a sneak thief and a penniless gentleman with a knack for uncovering secrets—what could possibly go wrong? The Gentleman and the Thief by Sarah M. Eden is the sequel to The Lady and the Highwayman, one of my favorite books from 2019. I’ve been keeping this cozy historical romance at the ready to serve as a comfort read during this dark and dreary winter, and I’m so glad I did. This book had everything I’ve come to expect from the Dread Penny Society series: an abundance of mystery, a sweet courtship between two lovable protagonists, and a clever interplay with the uniquely Victorian literary phenomenon of the penny dreadful. If you need to keep the love going post–Valentine’s Day, I can’t recommend this series enough! Continue reading The Gentleman and the Thief Review

Gothic Tropes: Found Document Framing Device

Usually, when discussing tropes in Gothic literature, I talk about certain recurring themes and plot elements (such as madness, prophecies, or burning houses) or character types (like the Creepy Housekeeper, Corrupted Clergy, or First Wife). But the genre also makes use of particular structural or stylistic techniques. One of my favorite stylistic tropes in Gothic literature is the found document framing device.

old handwritten book
Photo by Kiwihug on Unsplash

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Review of Netflix’s The Haunting of Hill House

Poster for Netflix's The Haunting of Hill HouseThe Haunting of Hill House by Shirley Jackson has been adapted many times. It has become, in popular culture, the quintessential haunted house story, although Shirley Jackson’s novel leaves the veracity of the haunting intentionally ambiguous. One thing many adaptations struggle with is how to maintain that ambiguity while still evoking horror. The recent Netflix series, directed by Mike Flanagan, accomplishes this balance by diverging from the source material significantly while preserving its central themes. This series arrived on Netflix in 2018, so I’m a little late to the bandwagon. But I finally finished watching it and wanted to share a few of my thoughts with you. Continue reading Review of Netflix’s The Haunting of Hill House