One reason why the Gothic can be difficult to pin down as a genre is that over the years, it has spawned and overlapped with many different genres. I have touched briefly on the role that the Gothic played in the development of modern horror and explored in some depth how we can credit it as the foundation of the detective novel. Today, I want to explore one of the Gothic’s more nebulous offspring: weird fiction.
How many curses can one woman handle? Clara Blackwood finds her happily-ever-after interrupted by yet another family curse in Cursed Once More by Amanda DeWees. I had reviewed the initial book in this duology, With This Curse, quite a few years ago and was very impressed with DeWees’s grasp of classic Gothic tropes. After hearing how much I loved the first book, the author was kind enough to send along the sequel. It had gotten buried in my TBR pile until now, but I was delighted to finally dive back into DeWees’s luscious Victorian Gothic world with Cursed Once More. Continue reading Review of Cursed Once More
The “sublime” is a word you’ll hear tossed around a lot as you study Gothic literature, and even sometimes within the texts themselves. But what exactly does it mean? I’ll do my best to give a simple introduction to this rather complex term in this post, which will be the first in a series on important vocabulary words that will enhance your understanding of the Gothic.
Last Halloween season, I reviewed a delightful collection called Women’s Weird, which sought to highlight female authors of Weird fiction in the late nineteenth and early twentieth centuries. This year, the same folks have brought out a second volume, giving us more stories from this under-appreciated area of literature. Women’s Weird 2: More Strange Stories by Women, 1891–1937, edited by Melissa Edmundson, comes out tomorrow, October 27. Continue reading Review of Women’s Weird, Volume 2
Would you risk everything for magic? Beatrice Clayborn faces this choice in C. L. Polk’s latest fantasy novel, The Midnight Bargain. Polk expertly explores themes of women’s rights and bodily autonomy by taking the tropes and atmosphere of a Regency romance and transporting them into an original fantasy world where the practice of magic is segregated by gender. The Midnight Bargain was released just last week, and you can find it in stores now. Continue reading Review of The Midnight Bargain—Fantasy and Feminism
If there’s one thing I’ve discovered from this blog, it’s that I love themed horror anthologies! Whether it’s one of Ellen Datlow’s preeminent collections, an indie press striving to highlight diverse voices, or a scholar dredging up forgotten classics, there’s something irresistible to me about many different authors coming together to bring their unique voices and interpretations to a shared subject. So you know my ears perked up when I heard about a new anthology coming out from the creator of the Castle of Horror podcast that would be inspired by the classic illustrations on the covers of pulpy Gothics from the ’60s and ’70s. Castle of Horror Anthology Volume 4: Women Running from Houses, edited by Jason Henderson, comes out tomorrow, October 13, just in time for Halloween season. Continue reading Review of Castle of Horror Anthology Vol. 4: Women Running from Houses
It’s officially spooky season! Now that it’s October, everyone’s got ghosts and ghouls on the mind. Of course, most of my Halloween décor is up all year round, including this delightful art print of spectral kitties by Heather Franzen Rutten. Staring at it the other day got me thinking: Do animals have ghosts? There’s been plenty of philosophical and religious debate on the subject (often hinging on whether animals have souls), but if we turn to Gothic literature, the answer is a resounding “yes!” Below are a few of my favorite stories that feature spectral animals:
“Back to School” doesn’t look quite the same this year. Whether you’re attending virtually, in person, hybrid, or still waiting on your school administrators to figure that out, things are sure to be rather chaotic as we try to navigate this new reality of educating during a pandemic. I figured I would try to reintroduce a little normalcy to this fall season by bringing back my old tradition of putting together a mini-syllabus of classic Gothic works for the start of the school year. In my initial Back to School Reading List, I highlighted a few Gothic novels you’re most likely to come across in class. I followed that post up with a Short Story Edition, Drama Edition, and Poetry Edition of the reading list. Today, I’m returning to novels to spotlight a few more classics that didn’t make it into the initial post: Continue reading Back to School Reading List, Part 2
Who says the Gothic has to be relegated to creepy old castles in Europe? While American Gothic has been an established subset of the genre since the nineteenth century, in recent years the Gothic has really expanded into a diversity of settings and perspectives. Celebrated Mexican-Canadian author Silvia Moreno-Garcia brings classic Gothic tropes and story structures into the Mexican countryside in the straightforwardly titled Mexican Gothic, which came out earlier this summer. Continue reading Review of Mexican Gothic
It’s The Craft meets Mean Girls—except more heartwarming and queer. That’s the best way I can describe The Scapegracers, the start of a new YA fantasy trilogy by debut novelist Hannah Abigail Clarke. If you love a good found family trope, but also want to see some teen witches funnel their angst into reckless magic, then The Scapegracers is the book for you! It comes out tomorrow, September 15. Continue reading Review of The Scapegracers—Queer Witches and Reckless Magic
