Gothic Tropes: The Naif

Every evil plot needs an innocent victim.… The naïf is one of the core stock characters in Gothic literature. From the same French root as “naive,” the naïf is someone who exemplifies innocence and has not yet been corrupted or made cynical by their encounters with the outside world. This character serves as a foil to innate evil and is usually the main victim of the story’s monster or villain. In Gothic fiction, the naïf is generally a young woman, sometimes an adolescent, who has lived a sheltered life and is suddenly thrust into an unfamiliar and dangerous environment. Because of her lack of experience, the naïf tends to underestimate evil and often trusts the wrong people. The more passive incarnations of this character resemble the stereotypical “damsel in distress,” and need to be rescued by a gallant hero. But sometimes when the naïf loses her innocence, she gains experience and agency. Continue reading Gothic Tropes: The Naif

Gothic Tropes: The First Wife

No one likes being the second choice. This holds especially true for newly married Gothic heroines. You may think you’re marrying the man of your dreams, but if he’s been married once before that’s almost always a sign of trouble. Whether the first wife is dead or simply hidden away, she often manages to cast a shadow over her husband’s new lover and interfere with their relationship. The haunting figure of the first wife is one of my favorite Gothic character tropes! Continue reading Gothic Tropes: The First Wife

Gothic Tropes: Burning Houses

In Gothic literature, the setting of the story functions almost like a character itself. These castles, estates, and manor houses are given names, along with their own history, personality, and secrets. And as with living characters, sometimes the novel needs to end with their death. In one common trope, house fires are employed as a means of destroying the central setting at the end of the novel, often with symbolic significance. Continue reading Gothic Tropes: Burning Houses

Romance in Gothic Fiction

With Valentine’s Day around the corner, we’ve all got a bit of romance on the mind. And what could be more romantic than an entire genre that was originally called “Gothic Romance”? Of course, the term “romance” has meant different things over the course of the genre’s history, and each iteration of the Gothic utilizes romantic elements in different ways. Let’s take a brief look at the role romance has played in Gothic fiction.

Mr. Rochester and Jane in the film Jane Eyre (2011)

Continue reading Romance in Gothic Fiction

Anonymity and Pseudonyms in Gothic Literature

Castle of Otranto title page
Title page of the first edition of The Castle of Otranto

Publishing works either anonymously or under a pseudonym has been a tradition in the Gothic literary genre since its very creation. Such deception might be done for a variety of reasons. Early works of Gothic literature often tried to pass themselves off as something older—long-buried ancient manuscripts newly discovered and translated by an enterprising soul—to both increase their mystique and shield the author’s reputation from critiques of this untested new style. As Gothic novels became increasingly popular with female authors, many of them adopted male pen names or left their name off entirely to avoid the stigma of their gender. Today, pseudonyms give authors the opportunity to depart from their usual genres, to step away from their existing fame, or simply to add to the fun.  Continue reading Anonymity and Pseudonyms in Gothic Literature

Female Friendships in Gothic Literature

With Valentine’s Day coming up, it feels like we’re getting constantly hit in the face with commercialized images of heteronormative romantic love. It’s enough to make anyone feel a little disenchanted, but I’ve always loved the holiday. For me, Valentine’s Day is about more than just purchasing materialistic expressions of affection for your significant other. It’s about celebrating love in all its forms. And, personally, some of the most important relationships in my life are my friendships with other women. Growing up, my female friends and I always took this time of year as an opportunity to send each other flowers, give out chocolate, and be extra vocal with our love and support. That’s why this Valentine’s Day, I want to take a moment to celebrate some of my favorite female friendships in Gothic literature. Continue reading Female Friendships in Gothic Literature