Horror. Terror. They’re synonyms, right? Actually, they’re similar, but their meanings are slightly different, especially in the world of Gothic literature. In fact the terms represent two different schools of thought that early writers of Gothic literature divided themselves along. And at the beginning, this division occurred loosely along gender lines, as Matthew Lewis and Ann Radcliffe were held up as the representatives of each camp.
The term “Gothic” (with a capital G) refers to an era of literature and its accompanying trend in architecture during the late 18th century and throughout the 19th century. Both the literary and architectural movements were characterized by a return to medieval aesthetics. Fashionable English aristocrats, such as Horace Walpole, began to fill their estates with highly ornamented turrets and towers reminiscent of medieval churches.
Cathedral of St. John the Divine–a church with Gothic elements
Meanwhile, many authors began to abandon the Enlightenment principles of rationality and reason in favor of exploring the pleasure that can be found in emotions like terror. The original Gothic stories featured Gothic castles, abbeys, and ruins of the sort that were now being recreated and were often set in a vaguely medieval past. They generally included elements of the supernatural in reaction against the recent trend of realism and were characterized by melodrama, mystery, and suspense. Listed below are some of the seminal works of early Gothic fiction. Continue reading The Roots of Gothic Literature
