Dracula, Performed

Dracula was always meant to be adapted to the stage. At the time that he wrote his most famous novel, Bram Stoker was working as the business manager for the Lyceum Theatre in London, owned by his friend, the renowned actor Henry Irving. Irving’s performances were often dark and dramatic, and he was best known for playing charismatic villains. It’s even been suggested that he partially inspired the appearance and personality of the Count in Stoker’s novel. Thus, it should come as no surprise that when Stoker finished his masterpiece, he envisioned Irving playing the titular character in a stage adaptation. He even drafted a script and ran through a staged reading of Dracula, or The Undead at the Lyceum, afterwards eagerly asking Irving what he thought. Irving’s answer, however, shut down any hopes Stoker had for his stage production: he summed up his opinion in one word: “Dreadful.”

Continue reading Dracula, Performed

Dorian Gray: The Musical, a NYMF Production

Oscar Wilde’s The Picture of Dorian Gray took on new life this summer in a musical adaptation as part of the New York Musical Festival. NYMF is a three-week annual festival that seeks to shine the spotlight on new works, many of which go on to perform Off-Broadway, and some even make it to the Great White Way! Dorian Gray: The Musical began as a graduate thesis project for playwright Christopher Dayett, with music arranged by Kevin Mucchetti. Last week, the beta musical appeared in three showings at the Acorn Theater. Director Christen Mandracchia invited me to attend a performance and share my opinion on the show. Continue reading Dorian Gray: The Musical, a NYMF Production