I love a good stage adaptation of Bram Stoker’s classic vampire novel, Dracula. After all, Stoker worked in theater for much of his life, and always intended for his charismatic Count to take the stage. Last weekend, I had the pleasure of seeing a particularly unique performance of Dracula adapted by Kate Hamill for the Classic Stage Company in New York City. Hamill makes significant revisions to the source material in order to transform Dracula into a feminist revenge fantasy by centering the female characters and confronting the sexism in Stoker’s original.
Continue reading Classic Stage Company’s Dracula—A Feminist Adaptation