Carnival Celebrations in Gothic Literature

It’s Carnival season in the Catholic liturgical year—a time for wild celebration and indulging in excess before the restrictions and solemnity of Lent. The holiday is celebrated mainly in regions with large Catholic populations, including parts of Western Europe and the Americas, but historically it has been especially associated with Italy. Celebrations usually involve parades, colorful costumes, extravagant parties, and indulgent foods and beverages. Though ostensibly a time of joy and merriment, this boisterous atmosphere can also be disorienting, overwhelming, and even frightening, and the holiday’s associations with disguise and mischief create an excellent opportunity for dastardly plots and misdirection. This—combined with Gothic literature’s love/hate relationship with all things Catholic—makes the frenetic festivities of Carnival the perfect backdrop. Below are just a few examples of works of Gothic literature that take place during Carnival or Carnival-like celebrations:

Carnival mask from Venice. Photo by Vlad Hilitanu on Unsplash

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French and German Gothic

I’ve spoken many times on this blog about how the Gothic genre originated in England with the publication of Horace Walpole’s The Castle of Otranto, and I’ve gone on to enumerate many other early English writers of the Gothic, as well as several American authors that followed later on. But the Gothic was not limited to the English-speaking world. In fact, many of the early and influential pieces of Gothic literature originated in Continental Europe—specifically in Germany and France. Below, I’ve listed a few seminal works to take a broad look at the Gothic tradition in these two countries: Continue reading French and German Gothic